Tolling church bells. Haunting soundscapes. A voice that, though sparingly used, carries a weight that lingers long after the music fades. The hallmarks of Ethel Cain’s artistry return in her latest album, ‘Perverts’. At 26, Cain continues to defy expectations, offering a sonic experience that blurs the boundaries of what we traditionally consider a “song.” With sprawling 12-minute tracks, rich with eerie, atmospheric instrumentals and minimal but poignant lyrics, ‘Perverts’ is not an album you simply listen to, it’s one you let engulf you.
True to her signature Southern Gothic style, Cain conjures a world steeped in nostalgia and unease, painting vivid pictures of desolate towns and shadowy memories. However, as much as this album showcases her willingness to evolve and experiment, it also feels like a departure from one of her greatest strengths: her lyricism.
Her 2022 debut ‘Preacher’s Daughter’ earned widespread acclaim not just for its lush sound but for its bold, evocative lyrics that felt like confessions, drawing listeners into the depths of her narratives. In ‘Perverts’, however, the lyrical density takes a backseat to ambiance and mood. While this shift may appeal to fans who relish her ability to create immersive soundscapes, it left me yearning for the incisive storytelling that first drew me to her music.
That said, there’s something admirable about her refusal to stay stagnant. ‘Perverts’ is a risk, and though it didn’t fully resonate with me, it’s a testament to Cain’s commitment to growth as an artist. Her decision to lean more heavily on extended instrumentals and restrained vocal performances may not have the same immediate pull as her debut, but it challenges the listener to sit with the discomfort, to feel the weight of every tolling bell and reverberating note.
For those who thrive on experimental, atmospheric music that prioritizes mood over melody, ‘Perverts’ is a must-listen. As for me, while I appreciate her exploration of new territory, it’s not an album I’ll revisit often. Still, it reaffirms one truth about Ethel Cain: she’s an artist who creates on her own terms, and whether or not you love the result, you can’t help but respect her vision.
