Tyler, the Creator has never shied away from pushing musical boundaries, with his latest release CHROMAKOPIA, he’s once again redefining his artistry. But does it have what it takes to secure another Grammy?
Tyler, the Creator aka Tyler Okonma is a 33 year old rapper from Hawthorne, CA. He has been in the industry since 2004 but started to gain some traction around 2017 after he released his album Flower Boy, and proved critics wrong that said he couldn’t write pop songs then released his biggest song “See You Again (ft Kali Uchis)”. He then released his album Igor, which won him a GRAMMY in 2020, and is his most popular album, and also won another GRAMMY in 2022 for his album Call Me If You Get Lost. So you know when Tyler releases, it’s going to be a great album, and will have a pretty good chance to win a GRAMMY.
This is Tyler’s 8th album and it is the best one to date. But before we get into the album itself, let’s address the theories surrounding the album. The biggest theory is that Frank Ocean, the 2012 Grammy winner for his album Channel Orange, is on this album but didn’t want to receive credit. Ocean hasn’t been on any music since 2020, or so that’s what the public knows at the moment. If you watch the music video for the first track “St. Chroma” around 27 seconds into the video, there is a line of people, the second person walking in the line looks suspiciously identical to Frank Ocean, as it is a known fact that Ocean and Tyler are friends as they have been on multiple tracks together. Also going into the song itself, about 1 minute and 4 seconds into the song up until 1 minute and 17 seconds there is another voice on the track on top of Tyler’s. It is this verse right here
El Segundo felt like colosseum
P said I could do it too, and boy, did I believe him
I built a path to freedom ’cause them words that he said
“Give a f**k about traditions, stop impressin’ the dead,” ah
The voice behind Tyler’s sounds just like Frank Ocean. Again this wouldn’t be a surprise to fans since they are friends but considering Ocean hasn’t been in any music since 2020, this is crazy. Coincidentally enough, the album was released on October 28th, which just so happens to be Frank Ocean’s birthday. Tyler, the Creator knew what he was doing when he did this, but the question is; what was the reason for this release date?
Also, with all of this, as a fan, I noticed the last time the album cover said “All songs written, produced, and arranged by Tyler Okonma” was Tyler’s album Igor, which was released in 2019, this album did win a Grammy. So, this could happen again with CHROMAKOPIA.
As mentioned earlier, this album was released on October 28th, 2024, this 14 track album has a total run time of 53 minutes, with 10 featured artists, at least that is what is known right now. Some of these features include GRAMMY winner for his album Best Part, Daniel Caesar, and 5x GRAMMY winner, Lil Wayne. There are a total of 7 tracks with features, two of these tracks having Daniel Caesar on them.
St. Chroma (feat. Daniel Caesar)
Tyler, The Creator’s “St. Chroma” serves as a gripping entryway into the world of CHROMAKOPIA, immersing listeners immediately with a blend of intense soundscapes and striking visuals. The track opens with urgent, fast-paced footsteps and echoing chants, creating a ritualistic feel that hints at a journey or transformation. Tyler’s hushed verses, layered with whispered lines and emphasized phrases, draw the listener deeper, while gospel-inspired vocals in the bridge bring an unexpected, hopeful dimension to the track. The black-and-white visuals in the music video heighten the tension until a burst of color at the song’s climax perfectly mirrors the thematic exploration of CHROMAKOPIA—a vivid world of reimagined colors. At only 1:24, “St. Chroma” masterfully builds and releases tension, embodying Tyler’s bold vision and his continuous push to redefine creative boundaries. This track is also my favorite on the album and one of my favorite Tyler tracks of all time, it’s definitely top 5 best Tyler tracks. The very hidden feature of what sounds like Frank Ocean also seals the deal for me, and becomes a top 5 track.
Rah Tah Tah
“Rah Tah Tah,” the second track on CHROMAKOPIA, bursts with Tyler, The Creator’s signature chaotic energy and confident swagger. The song’s intense soundscape kicks off with disorienting panning effects, drawing listeners into Tyler’s fast-paced, abrasive beats that evoke the Cherry Bomb era, though with fresh nuances that reflect his evolving sound. Tyler’s lyrical delivery is filled with humor and bravado, moving seamlessly between outrageous boasts—like comparing his mansion to needing a diaper—and playful references, such as a nod to Zendaya. This mix of humor and menace keeps listeners on edge, balancing between lighthearted flexes and darker, introspective notes.
The production mirrors Tyler’s rapid-fire verses, incorporating distorted industrial sounds that underscore his lyrics’ intensity. The hypnotic chorus—repeating, “She ain’t never met no one who talks like that”—acts as a rhythmic anchor, giving the listener brief reprieves amidst the overwhelming sonic layers. Thematically, Tyler also explores underlying anxieties around fame and trust, revealing a guarded side beneath his outward confidence. This tension adds emotional depth, reminding listeners of the challenges Tyler faces despite his bold, carefree exterior. Overall, “Rah Tah Tah” exemplifies Tyler’s bold fusion of humor, aggression, and introspection, fitting perfectly into CHROMAKOPIA’s experimental world.
Noid
Tyler, The Creator’s “Noid” from CHROMAKOPIA explores themes of paranoia through a uniquely crafted sonic journey. The track begins with a jarring two-chord guitar riff and sparse drum pattern, which together evoke an immediate feeling of unease, drawing listeners into the protagonist’s chaotic mindset. Tyler’s echoing vocals add depth to this atmosphere, while a recurring pattern of building intensity, followed by abrupt shifts back to minimalism, keeps the listener on edge. The chorus features a striking Zambian vocal sample that contrasts Tyler’s verses, enhancing the track’s sense of alienation and unfamiliarity.
Adding layers of detail, Tyler introduces “wah-wah” effects, haunting female backing vocals, and a funky bassline, each element subtly amplifying the mood of mounting anxiety. The bridge includes somber keyboard notes, a melancholic trumpet, and cello-like bass notes, creating a haunting landscape that captures the cyclical nature of paranoia. In its second part, a gospel influence led by Bonita Smith’s soulful vocals provides a brief emotional lift, though the tension remains. The outro then blends these contrasting elements—upbeat percussion, dark electronic sounds, and gospel undertones—leaving a lingering sense of unease and fascination.
Darling, I (feat. Teezo Touchdown)
Tyler, The Creator’s “Darling, I” from CHROMAKOPIA is a reflective exploration of love’s complex emotions and the artist’s own struggles with commitment. The track brings back a sound reminiscent of his Igor era, blending smooth vocal effects with a hauntingly romantic vibe. Tyler’s lyrics delve into the tension between wanting emotional connection and yearning for freedom, expressing his ambivalence about monogamy. Teezo Touchdown’s verse deepens the emotional complexity, adding a layer of shared vulnerability.
The chorus’s recurring line, “Keep falling in love,” captures Tyler’s cyclical experience with romance, hinting at his discomfort with permanence while repeatedly finding himself drawn back into relationships. The minimalist beat underscores this tension, giving space for introspection. Throughout, Tyler acknowledges that while he craves connection, the idea of being tied to one person conflicts with his need for independence. Lines like “I love ’em all for different reasons at the same damn time” reveal his emotional restlessness, and his references to luxury cars—symbols of his success—highlight how material wealth contrasts with emotional fulfillment.
In the bridge, Tyler opens up about the importance of autonomy, expressing that he doesn’t seek to control his partner, and the inclusion of Bonita Smith’s advice emphasizes transparency and honesty. “Darling, I” is one of CHROMAKOPIA’s most introspective tracks, as Tyler wrestles with love’s transient beauty and his resistance to commitment, showcasing his continual evolution as both an artist and individual.
Hey Jane
In CHROMAKOPIA’s fifth track, “Hey Jane,” Tyler, The Creator dives into a heartfelt exploration of an unplanned pregnancy, presenting perspectives from both partners involved. The track opens with Tyler’s raw admission of fear and uncertainty as he grapples with the unexpected news. His verses capture the tension between feeling unprepared for fatherhood and the weight of responsibility, with lines that highlight his internal conflict between freedom and obligation. The repetition of “Hey Jane” throughout his verse underscores his desire to connect yet reveals his trepidation.
Midway, the song shifts, allowing Jane’s voice to emerge in a poignant response to Tyler. She reflects on the ticking clock of age and her readiness to face this reality independently if necessary, adding depth and contrasting emotions to the narrative. Her tone reveals resilience and resolve, balancing Tyler’s apprehension with her own acceptance. This duality offers a nuanced portrayal of gender roles and societal expectations, prompting listeners to reflect on the complexities of parenthood from both viewpoints. With its introspective tone and subtle production, “Hey Jane” exemplifies Tyler’s growth as a storyteller, making it one of the album’s most resonant and reflective tracks.
I Killed You
Tyler, The Creator’s “I Killed You” from CHROMAKOPIA is a powerful, layered track that addresses the weight of societal expectations on Black identity, self-image, and cultural assimilation. It opens with a playful acoustic guitar and chant-like vocals, then shifts into an intense African drum pattern as Tyler’s verses tackle complex themes of self-empowerment and resilience. Throughout the song, bursts of heavy synths and horns add a sense of unpredictability, mirroring the internal conflict of resisting societal norms while staying true to oneself.
The lyrics use the metaphor of hair—a symbol closely tied to identity within the Black community—as a way to critique Western beauty standards. Tyler’s repeated phrase “I killed you” speaks to rejecting the act of erasing or altering one’s natural features to fit in, a pressure often instilled from an early age and passed down generationally. The track illustrates how these standards impact self-esteem, self-expression, and cultural pride, resonating with listeners on a deeply personal level.
Childish Gambino’s guest appearance in the interlude and outro adds layers of introspection, as his softer, reflective lines highlight the tension between authenticity and conformity. This partnership reinforces Tyler’s commentary, affirming that natural beauty deserves celebration despite societal pressures. The track’s musical shifts—from stripped-down guitar to layered synths and drums—intensify its message, creating an atmosphere that feels both unsettling and liberating.
“I Killed You” is a standout piece that reflects Tyler’s growth as an artist, blending cultural critique with bold, experimental sounds. It challenges listeners to embrace individuality and resist external pressures, encapsulating Tyler’s artistic mission to inspire authenticity and self-empowerment.
Judge Judy
Tyler, The Creator’s “Judge Judy” from CHROMAKOPIA offers a warm, introspective look at love, acceptance, and understanding in relationships. The track begins with delicate guitar riffs, setting a mellow, intimate atmosphere reminiscent of Frank Ocean’s style. Tyler’s storytelling captures a fleeting romance with a character named Judy, drawing listeners into moments filled with vivid imagery and honest emotion. Lines like “Her legs were Eiffel Tower” illustrate Tyler’s playful, infatuated perspective, while scenes of their café meet-ups bring an authenticity to their connection. This track isn’t just about attraction but emphasizes understanding and appreciating one another’s quirks.
The recurring line “I won’t judge Judy” works as a mantra underscoring non-judgmental love and acceptance. As the song unfolds, Tyler delves into themes of vulnerability, intimacy, and the nuances of modern relationships, encouraging open-mindedness and a safe space for self-expression. Childish Gambino’s feature elevates the song with complementary vocals and an additional layer of insight. Gambino’s lyrics reflect a similar perspective on freedom and desire, harmonizing with Tyler’s message about intimacy and mutual acceptance, making their collaboration feel seamless and natural.
“Judge Judy” is a beautifully composed track that highlights Tyler’s growth as an artist and storyteller, balancing lightheartedness with depth. Its engaging production, heartfelt lyrics, and themes of acceptance invite listeners to reflect on their own relationships, championing true connection over judgment.
Sticky (feat. GloRolla, Sexxy Red & Lil Wayne)
“Sticky” from CHROMAKOPIA by Tyler, The Creator is a high-energy track that merges playful irreverence with bold collaborations, capturing Tyler’s boundary-pushing approach. The song opens with a catchy whistle and rhythmic “hey, hey, hey,” setting a tone of anticipation that soon escalates as Tyler’s confident verses take center stage. With contributions from GloRilla, Sexyy Red, and Lil Wayne, “Sticky” is an eclectic mix that seamlessly blends rap, trap, and experimental elements, demonstrating Tyler’s knack for fusing diverse voices and sounds.
Each featured artist brings unique flair: GloRilla and Sexyy Red add bold and unapologetic verses, while Lil Wayne’s effortless flow gives the track a seasoned edge. Their chemistry keeps the song dynamic and engaging, with shifting tempos and styles that make each listen feel fresh. Tyler’s lyrics oscillate between humor and critique, touching on fame and self-expression while cleverly commenting on cultural norms. The hypnotic chorus—“It’s gettin’ sticky, sticky, sticky”—hooks listeners, encapsulating the track’s tension-filled energy.
Musically, “Sticky” surprises with unpredictable transitions, from trap beats to distorted breakdowns, showcasing Tyler’s love for sonic experimentation. This frenetic production style reflects the album’s theme of chaos and cohesion, cementing “Sticky” as one of CHROMAKOPIA’s boldest, most infectious tracks. The collaboration and inventive soundscapes underscore Tyler’s creative fearlessness, reminding listeners that he’s unafraid to push both genre and cultural boundaries.
Take Your Mask Off (feat. Daniel Caesar & LaToiya Williams)
“Take Your Mask Off” from Tyler, The Creator’s CHROMAKOPIA delves into themes of identity, vulnerability, and self-acceptance, set against a lush, atmospheric backdrop. The song opens with Tyler’s gentle humming and melodic vocal lines, paired with smooth keyboards and dynamic drums, creating an inviting, introspective tone. The track immediately envelops listeners in a world where vulnerability feels safe, encouraging an honest exploration of self.
Daniel Caesar’s appearance on the chorus brings soulful depth to the theme of authenticity, his voice amplifying the emotional weight of shedding “masks” or societal facades. This repetition in the chorus — “And I hope you take your mask off” — becomes a refrain, urging listeners to question the personas they present to the world versus their inner truths. Caesar and Tyler’s vocal interplay highlights the courage required to embrace and reveal one’s true self.
Lyrically, Tyler weaves critiques of societal expectations around identity, gang culture, and superficial masculinity. The line, “None them face tats gon’ hide the fact that you sad,” cuts to the heart of these themes, illustrating the often-futile attempts to hide vulnerability behind performative toughness or status symbols. In later verses, Tyler explores deeper conflicts around sexuality and personal shame, using powerful imagery to underscore the internal turmoil many face under societal scrutiny.
As the song builds, Tyler’s tone shifts from reflective to passionately urgent, culminating in a stirring conclusion. Bonita Smith’s final vocal contribution powerfully reinforces the track’s message, pushing for an unfiltered, vulnerable existence. “Take Your Mask Off” stands as a deeply moving track, merging Tyler’s evolving sound with poignant social commentary, making it an anthem of self-acceptance and authenticity. Through this journey, Tyler reaffirms his commitment to personal truth, urging listeners to liberate themselves from their own “masks.”
Tomorrow
“Tomorrow,” a reflective track from Tyler, The Creator’s CHROMAKOPIA, dives deep into themes of aging, societal expectations, and Tyler’s anxieties around parenthood. Unlike his usual bold and experimental style, “Tomorrow” is intimate and contemplative, opening with a spoken word introduction by Bonita Smith. She expresses a hope for Tyler to have children, introducing a tension between societal pressures and Tyler’s personal hesitations.
The song revolves around Tyler’s recurring line, “Don’t you wait on me, I’ll be fine,” a subtle yet powerful message that conveys his ambivalence about fatherhood and settling down. The line feels directed both at a partner and his audience, underscoring his wish for independence despite the pressures surrounding him. Repeating this phrase reinforces Tyler’s need for self-assurance and his ongoing conflict with societal expectations about maturity.
Musically, “Tomorrow” has a soft, almost ethereal production with layered harmonies and subtle background vocals that enrich Tyler’s raw, unmodulated singing. This is a departure from the pitch-modulated vocals on Igor, making “Tomorrow” feel raw and personal. The track’s dreamy, melancholic production complements his introspective lyrics, with harmonies that enhance its emotional resonance.
Lyrically, Tyler captures the tension of aging and time. Phrases like “My mother’s hands don’t look the same” and “These jet black strands are turning gray” serve as symbols of inevitability, while Tyler’s admission of stress around the thought of having children provides insight into his inner conflict. The second verse goes further, touching on his unease as peers begin to settle down while he remains focused on other pursuits.
“Tomorrow” stands out in Tyler’s discography as an introspective, mature reflection on life’s transitions and the pressures to conform. The gentle production and vulnerable lyrics allow this personal track to shine, capturing universal themes of self-discovery and the anxiety of growing older. Tyler’s ability to weave complex emotions into his music showcases his growth as an artist and storyteller, making “Tomorrow” an unforgettable part of CHROMAKOPIA.
Thought I Was Dead (feat. ScHoolboy Q & Santigold)
“Thought I Was Dead,” the latest single from Tyler, The Creator’s CHROMAKOPIA, captures his intense, genre-defying style, serving as a bold preview of his evolving artistry just days before the album’s full release. The track opens with a marching band rhythm punctuated by sharp blasts of trombone, instantly grabbing attention. This lively start transitions into Tyler’s direct and intense rap, harkening back to his raw style from Goblin, but now with more experimental touches like glitchy bass and vivid synths. The song’s production is full of unexpected shifts, pulling listeners into a chaotic but controlled sonic landscape that Tyler orchestrates masterfully.
A key feature in “Thought I Was Dead” is Tyler’s dynamic flow. His confident, commanding delivery matches the bold production, while syncopated rhythms add bursts of tension, making this short but powerful track feel immersive. The energetic fusion of heavy bass and eclectic instrumentation reflects Tyler’s signature style of merging chaos with precision, keeping listeners engaged through every twist.
In terms of lyrics, Tyler embraces his role as provocateur, blending self-awareness with humor and defiance. Tyler explores past controversies and criticism, all while displaying his growth and unshakeable confidence as an artist. This track marks the third teaser from CHROMAKOPIA, following “St. Chroma ” and “Noid,” and its unpredictable structure hints at an album poised to push hip-hop’s boundaries.
“Thought I Was Dead” reaffirms Tyler’s place as a uniquely innovative artist. Through its eccentric production, fiery lyricism, and bold flow, the song sets high expectations for CHROMAKOPIA as Tyler continues redefining the genre on his own terms. Fans of his early, rebellious sound are sure to appreciate this track’s energy and depth, making it an exciting preview of what promises to be a groundbreaking album.
Like Him (feat. Lola Young)
“Like Him” by Tyler, The Creator from CHROMAKOPIA is a deeply introspective track that dives into themes of identity, family, and self-reflection. Opening with a minimalist piano melody, the song quickly establishes a somber, reflective mood. The sparse instrumentation invites listeners into Tyler’s intimate emotional space, allowing them to focus on the raw message of the song. As the song builds, additional layers such as drums, hi-hats, and a distorted guitar are introduced, creating a gradual rise in intensity that mirrors the song’s emotional weight.
Tyler’s vocal delivery is subtle, reflecting the song’s contemplative nature. His understated tone allows the emotional weight of the lyrics to come through without overpowering the listener. The spoken word sections by Bonita Smith add an authentic, personal touch, enhancing the track’s introspective feel and bringing a sense of shared experience. Tyler’s exploration of identity—particularly the impact of family and absent figures—adds a universal layer to the track, making it relatable to listeners who may have experienced similar struggles.
The production on “Like Him” is thoughtfully layered, with the arrangement building as the song progresses, mimicking the journey from self-reflection to emotional release. This dynamic composition draws the listener deeper, making “Like Him” a standout track on CHROMAKOPIA for its nuanced storytelling, carefully crafted sound, and exploration of themes that resonate on both personal and universal levels.
Balloon (feat. Doechii)
“Balloon” by Tyler, The Creator from CHROMAKOPIA is a playful, experimental track that draws listeners into a surreal, carnival-like atmosphere. It opens with a whimsical beat reminiscent of circus music, creating an eccentric and slightly eerie ambiance. This repetition adds a sense of nostalgia while underscoring the song’s unpredictable energy.
The track’s initial verses showcase Tyler’s clever blend of introspection and humor. He deftly balances self-reflection on his achievements with witty lines about fame and identity, particularly in phrases like “Why I work so hard? My soul profit.” Tyler combines these lighthearted quotes with surreal metaphors, hinting at the pressures of success and personal growth. This combination of levity and depth characterizes much of his unique storytelling style.
Doechii’s feature brings an intense burst of energy, contrasting Tyler’s smooth delivery with her dynamic, assertive flow. Her bold lyrics and seamless transition into a lively bridge amplify the chaotic vibe, with the repetitive “Don’t stop” chant creating a hypnotic effect. This escalation builds on the circus-like tension established at the start, while Tyler’s line, “I’ll air this out like a balloon,” adds a layer of intensity to the track’s surreal mood.
Ultimately, “Balloon” exemplifies Tyler, The Creator’s inventive musical approach. By blending unusual sounds, surreal metaphors, and a striking guest feature, he creates a track that’s both thought-provoking and whimsically chaotic. This balance between boundary-pushing sounds and introspective lyrics makes Balloon one of the standout, multifaceted tracks on CHROMAKOPIA.
I Hope You Find Your Way Home
“I Hope You Find Your Way Home,” the closing track from Tyler, The Creator’s CHROMAKOPIA, offers a poignant conclusion to an album rich with personal themes and emotional honesty. The song opens with a tender atmosphere, featuring soft melodic singing layered over cosmic synths, creating a reflective and ethereal soundscape. Unique vocal effects, including human growls and barks, add to the song’s whimsical yet introspective quality, showcasing Tyler’s innovative approach to music.
Lyrically, the song continues the narrative established in “Hey, Jane,” where Tyler confronts the complexities of impending fatherhood and his readiness for such a life change. The opening line, “I hope you find your way home,” serves as a recurring mantra throughout the track, evoking longing and hope. This repetition emphasizes both a reassurance and a plea for himself and others to successfully navigate their journeys.
Tyler’s introspection reveals vulnerabilities that resonate deeply with listeners, particularly as he admits, “I wasn’t ready,” expressing his hesitation about becoming a father. This candid acknowledgment adds significant emotional weight, contrasting with his usual bravado and offering a nuanced portrayal of his character. His lyrics blend playful wordplay and clever metaphors, showcasing his lyrical dexterity while addressing heavy themes.
Musically, the track evolves from its gentle introduction to a more intense exploration of Tyler’s psyche. The lush synths and rhythmic cadences create a dynamic range that reflects the tension between vulnerability and strength. The outro, filled with affirmations and encouragement—fosters a sense of community and support, underscoring the importance of connection in life’s complexities.
Overall, “I Hope You Find Your Way Home” serves as both a conclusion to CHROMAKOPIA and a powerful reflection on growth, identity, and the challenges of adulthood. Tyler masterfully combines poignant lyrics with innovative production, leaving listeners with a sense of hope and the understanding that finding one’s way home is a universal journey filled with trials and triumphs.
Overall I give this album a 9.8 out of 10, this album is nearly perfect with the features, and how this album is like Igor, Call Me If You Get Lost, Flower Boy, Cherry Bomb, Wolf, and Goblin, all in one and it is the best Tyler album to date, but it is really hard to choose between this and Igor, both musical masterpieces. The only critique I have, just like other fans of Tyler, is the lack of features, there are 10 on here but there is one specific one I am thinking of and I am sure that other fans are thinking the exact same person. This feature is Frank Ocean. I mean Tyler already released CHROMAKOPIA on Frank´s birthday, so Tyler knew what he was doing, he just didn’t have Frank as a feature and that was the one thing he was missing, outside of that this album is absolute perfection.
With the GRAMMYs coming up, most people are saying this is the album of the year, and it might win a GRAMMY, but the question is, will CHROMAKOPIA win a GRAMMY?
